Rounds for piano and string orchestra
$63.99
By Jessie Montgomery. Score only. Duration: 15 min.
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Score purchase (choose PDF or Printed):
Sold By: Jessie Montgomery Music
Winner, 2024 Grammy® for Best Contemporary Classical Composition
Commissioned by Art of the Piano Foundation for pianist Awadagin Pratt
Co-commissioned by Hilton Head Symphony Orchestra, Baltimore Symphony Orchestra, Colorado Symphony, Indianapolis Symphony Orchestra, IRIS Orchestra, Kansas City Symphony, Milwaukee Symphony Orchestra, Rochester Philharmonic Orchestra, St. Louis Symphony Orchestra
PROGRAM NOTE
Rounds for solo piano and string orchestra is inspired by the imagery and themes from T.S. Eliot’s epic poem Four Quartets. Early in the first poem, Burnt Norton, we find these evocative lines :
At the still point of the turning world. Neither flesh nor fleshless;
Neither from nor towards; at the still point, there the dance is,
But neither arrest nor movement. And do not call it fixity,
Where past and future are gathered. Neither movement from nor towards,
Neither ascent nor decline. Except for the point, the still point,
There would be no dance, and there is only the dance.
(Text © T.S. Eliot. Reproduced by courtesy of Faber and Faber Ltd)
In addition to this inspiration, while working on the piece, I became fascinated by fractals (infinite patterns found in nature that are self-similar across different scales) and also delved into the work of contemporary biologist and philosopher Andreas Weber who writes about the interdependency of all beings. Weber explores how every living organism has a rhythm that interacts and impacts with all of the living things around it and results in a multitude of outcomes.
Like Eliot in Four Quartets, beginning to understand this interconnectedness requires that we slow down, listen, and observe both the effect and the opposite effect caused by every single action and moment. I’ve found this is an exercise that lends itself very naturally towards musical gestural possibilities that I explore in the work – action and reaction, dark and light, stagnant and swift.
Structurally, with these concepts in mind, I set the form of the work as a rondo, within a rondo, within a rondo. The five major sections are a rondo; section “A” is also a rondo in itself; and the cadenza – which is partially improvised by the soloist – breaks the pattern, yet, contains within it, the overall form of the work.
To help share some of this with the performers, I’ve included the following poetic performance note at the start of the score:
Inspired by the constancy, the rhythms, and duality of life, in order of relevance to form:
Rondine – AKA Swifts (like a sparrow) flying in circles patterns
Playing with opposites – dark/light; stagnant/swift
Fractals – infinite design
I am grateful to my friend Awadagin Pratt for his collaborative spirit and ingenuity in helping to usher my first work for solo piano into the world.
— Jessie Montgomery, February 2022
Rental Inquiries
Only the score to this work is available for purchase.
For performance and rental inquiries for the score and parts, please send a message with the following information.
Click on the button below to open a pre-populated email message in your email client.
Email rental request- Title of work requested
- Billing contact name, organization, and address
- Shipping contact name, organization, and address (if different; cannot be a PO Box)
- Your phone number
- String count needed (stands)
- Name of conductor
- Name of orchestra
- Number of performances
- Performance date(s)
- Date the materials are needed
- Is admission being charged?
- Is this concert an educational performance or childrens' concert?
- The annual operating budget, in USD, of your orchestra or organization
- Whether the audio of the performance(s) will be broadcast on radio and/or streamed, and, if so:
- Platforms (Radio, streaming via web site, etc.)
- Whether the performance is on-demand (i.e., non-interactive or interactive)
- Target start date of the stream
- Term of license (how long the stream will remain available)
- What fees, if any will be charged
- Whether video synchronization is requested, and, if so:
- Brief description of project and/or intended use
- Platforms (YouTube, Facebook, web site, etc.)
- Target start date of the stream
- Term of license (how long the video will remain available)
- What fees, if any, will be charged
Specs
| Weight | N/A |
|---|---|
| Composer | Jessie Montgomery |
| Ensemble Type | Orchestra |
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